Dana

Dana Baldus - Owner/Pancake Artist for Dancakes

Dana Baldus
Owner/Dancakes Artist
St. Louis, Mo

It’s a pretty interesting story, how I became a professional pancake artist.

After graduating high school in 2016, I decided to take a gap year to make a more serious decision about where I wanted to go to college and to make money by getting a few jobs in town. A few months after the start of my gap year (wasting my life away scrolling on Instagram) I saw my first pancake art video, posted by Dancakes. I was immediately impressed and intrigued by the medium, and took it as a challenge.

After binge-watching enough videos to understand how it was done, I gathered equipment and tried it for myself. I posted my attempts online; to my surprise they saw what I had made and sent me a message about how they liked my art and if they could ask me a few questions. It turned out that I was a perfect candidate to be an employee: I was looking for work, not tied down to school, I was an artist, I had tried pancake art with decent results, and I was a mere six hour drive from St. Louis, where they were based.

As baffled as I was by the proposition my parents didn’t seem to see the strangeness in all this and encouraged me to go down for a job interview. We did, and it was part time work for a few months, before I got a call in February, my laptop literally open to browse college options. Dan presented me an ultimatum: You can go to college and work part-time for the company, continuing to do events on the side, or you can move to Saint Louis to be a full-time, professional pancake artist, traveling around the country and possibly the world making art for people. I had two weeks to think about it, and in the end, I made one of the strangest decisions of my life: to go along with it.

Now I get to fly to new cities frequently, have free access to incredible events, have huge exposure for my artwork, and have met and worked with some amazing people and even some personal idols.

I’m still confused as to the direction my life has gone in the last year or so, but I’m loving every unorthodox second of it.